by Taylor DeSoute
Living in the Bay Area, one can get spoiled
by the almost complete lack of dress codes. There is almost never any reason to dress up.
Indeed, last December the IC editorial staff was shocked to find that merely by pulling on
a gaudy, glittery Christmas sweater even the rich consider themselves adequately clad for
dining in one of Oaklands finest restaurants. While appliqué candy canes and
puffy-paint reindeer are actually intolerable ornaments in any social setting, it is still
comforting to know that even impoverished graduate students with tiny wardrobes need not
worry about being ostracized from important cultural events such as the opera or the
ballet. A clean pair of pants and a button-up shirt will suffice almost anywhere in the
East Bay. In San Francisco the addition of a jacket or scarf gussies up the preppy uniform
well enough to please the Big Citys more sophisticated population.
This is not to say that Bay Area residents
do not sometimes bring out their fancy dress. In line for the dance clubs there will
inevitably be some young man in Guccis controversial new fluorescent pink pants and
leather vest, girls in little black dresses, and a variety of youth in unexpectedly
fashionable vestments. But these individuals will be scattered among an assortment of
khakis, jean shorts, action slacks, and baby ts. What is remarkable about the Bay
Area compared to much of the rest of the world is that whatever the clientele is wearing,
people will be admitted to the disco in the order in which they are waiting in line, not
on the basis of their costume.
While the direction of causality is
ambiguous, it is also noteworthy that higher-end clothing is less readily available in
this region than elsewhere. The closest one can get to haute couture in Berkeley is
The Gap (which were all boycotting, anyway, because of the companys insistence
upon clear-cutting the redwoods in Marin and its inability to confirm that it doesnt
use sweatshops). Otherwise, Berkeleyans must do their shopping second hand in Telegraph
Avenues thrift stores or at the Bancroft Avenue boutique officially called Clobba,
but better known by its colloquial moniker, "Slutsy."
It is not surprising, in light of the
foregoing, that the by-definition underdressed members of the Irwin Courterly Imagined
Community are not well-received in Paris, nor that they feel intimidated walking into the
exclusive fashion houses in European capitals. Even "Uncle Brians" special
visor did not make him invincible at Prada in the 16th arrondissment last week. Indeed, as
much as he tried to hide his feelings, his utter fear caused him to trip and fall while
walking in the door. A more timid Xip cowered outside the store for a few minutes before
deciding that Brian needed her support to face the army of beautiful women in black suits
who were following him from rack to rack and glowering at him as he fingered the expensive
dresses while himself wearing fatigues and his "working class shirt." Despite
the hype, though, the only comment the pair could make upon surviving their visit to Prada
was that the brands designers missed many perfectly good opportunities to use
reflective tape.
What, then, is the difference between high
Euro-fashion and good ol American grunge? Even the grungy can identify the flaws in
fashionable designs, and sometimes the fashionable are tricked into thinking that a
grungster in a sophisticated venue must be a rock star and that her clothing should,
therefore, be considered "hip" or "funky," instead of some more
derogatory adjective. Xip made her way successfully through four whole poorly-dressed days
in Soho Londons hottest nightspots simply by donning a woolen beret atop her cargo
pants and shamrock t-shirt from Wal-Mart, whereas Nick-le-Grecque was at one point
required to remove his Armani tie before entering "Disco Mondo." Perhaps these
examples should point to the conclusion that, in fact, there is no tangible difference
between good and bad dress and clothing cleavages cross-cut all geographic, cultural, and
class divisions.
If Polly Tickle, scientist, were available
for comment, she would surely inform us at this point that fashion is a social
construction. Moreover, it is clear that ones identity as fashionable or not has
more to do with attitude than anything else. Well, then, the Spice Girls must be right
when they say, "Dont care how you look; its just how you feel.
Youve got to do it. Youve got to make it real."
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Playing "dress-up" at Versace is
right up there with playing hide-and-seek in the Louvre.
Sadly there were no cameras on hand to commemorate the dramatic and eclectic costumes
four brave souls dared to don at the Versace outlet store. Wearing jeans and sandals they
might not have been so welcome at a "real" Versace store in some down-town urban
area, but in Gilroy, CA, the garlic capital of the world, the outlet store staff were
understanding.
The selection on the sale racks included a bright chartreuse leather jacket, a red,
purple, and yellow suit with stripes and triangles clashing colors around a short skirt
and single-button jacket. Looking at the more reasonable options, Krista picked out a
cornflower-blue sundress that fit her perfectly. The only draw-back to wearing it to a
summer tea party were the two evocative triangles cut out at the waist, more sexy than a
blatantly bare midriff.
Getting Daryl into a Versace outfit required bribing her with the promise of a t-shirt
for her troubles. Janet selected a periwinkle, sequined skirt and matching top, with
streaks of yellow across it. Daryl, who only wore jeans and t-shirts to work after her two
interviews in suits, refused to emerge from the dressing room to show off. Janet, Krista,
and Jennifer forced their way in to see Daryl cowering in the corner behind the door in
her striking combination. A moment later, with no photos for proof, Daryl ejected her
admirers and demanded her new t-shirt from a different store - as payment.
On the other hand, prancing around in an electric blue suede shirt with bright yellow
loopy embroidered trim and matching bright yellow, stretchy, tight, nylon canvas jeans
makes ordinary clothes seem plaintoo matter-of-fact to call "fashion."
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by Caitlin van Dusen
Do I
think much about clothes? Oh, yes. Every morning, and sometimes the night before, I think
about what I'm going to wear. Sometimes I even schedule my whole week in advance, so that
I can plan for who I'm going to see, how hot it's going to be, whom I need to impress and
whom I don't care about. I've done this since about seventh grade.
"Fashion" is something that is separate from me: I see fashion as sort of a
dream from which people cull ideas that they can use in their everyday lives. I see it as
the extreme, with real people tempering it into something wearable, livable. Therefore, I
would never be "fashionable," but I might pick up on trends that fashion is
setting. Even that isn't particularly important to me, but it is a powerful pull: when you
see everyone wearing below-the-knee skirts (in a modified version of those presented by
"fashion"), they start to look better than they might if only one person were
wearing one. I recently read in a magazine, for example, that Rockport Walkers, those
old-person-on-a-tour-bus shoes, were coming back into fashion and I thought: how hideous,
I can't imagine those looking good on anyone. But then I saw this very svelte girl wearing
them the other day (with an ankle-length skirt, I might add), and I still thought they
were gross, but not quite as bad as I had thought.
I like to go shopping, and I much prefer to go alone. There is something about
the trance it puts me into, walking around, that can't happen with others. I also don't
like to have to take other people's opinions into account: to step out of a dressing room
and twirl around and say: what do you think? I'd rather form my own opinion. I think the
reason I like to go shopping, though, is that I like to acquire things. It really has
little to do with the actual items I am acquiring--it is about getting and then having new
things. Frequently, I buy things and then return them, or exchange them, just to keep up
the thrill of acquisition.
When I was in grade school, my mother used to take my sister and me to the Stamford
Town Center in Connecticut for tax-free back to school shopping. It was always a treat
because they had GOOD stores there (Benetton, the Gap--what other kids wore) and it was an
"event." Afterwards, she always bought us a Mrs. Fields cookie which came in a
wax paper bag and the chips would melt on the inside of the bag and you could lick it with
your finger. And I had bags and bags of clothes to sort through and relish on the
long car trip home.
I am still wearing some things from junior high school. However, I definitely tend to
favor new purchases. Primarily, I look for apparel that flatters me and that isnt
too extreme. Comfort can't be that important to me, since I seem to have a lot of quite
uncomfortable clothes. I am willing to sacrifice pretty much anything (except a lot of
money) for at item I think looks good on me. Quality is more important to me than it used
to be, and I suppose that encompasses durability. I don't really consider what clothes I
already have, what it might go with. If it looks good, I buy it.
I used to shop almost exclusively though the J. Crew catalog, but now I think catalog
shopping is a rip off. Now I go to the J. Crew store, and The Gap and Banana
Republic and all those preppy places. Recently, however, I have been expanding into more
risky terrain--shopping in SoHo, for example, or buying high-fashion brands at discount
stores. I used to buy a lot of PayLess shoes, for example. Now I wouldn't be caught dead
in them. I think my standards have risen since moving to the fashion capital. I also have
to cite the influence of a couple of high-fashion boyfriends, who do almost all their
shopping in SoHo and have begun to instill in me the importance of well-made clothes. No
more Old Navy!
And I have to say, I really hate clothes that other people have worn before. I feel
like then they already have someone else's presence imprinted in them. I never shop at
thrift stores: I think of second-hand clothes as being "dirty." The only
hand-me-downs I will wear are from my immediate family (mother, father, sister).
I prefer to wear the same thing all day, simply because changing clothes changes my
mood, and once I've established a mood for the day, I don't like to alter it. UNLESS I
feel like what I am wearing is negatively impacting my mood (making me feel unconfident,
unattractive, powerless, etc.)--then I will usually do whatever I can to change my
clothes, even if it means crossing the street in the middle of the workday to go to the
Gap and buy a new sweater.
I like natural tones in general; I don't like bright colors. I have a lot of gray,
white, brown, muted blue, tan. I do have one shocking red anorak that I like to wear to
surprise people, and since I always get compliments on it, I often wonder if I shouldn't
wear bright colors more often.
I really like to alter things myself to fit me. Sometimes things will be too long, too
baggy or otherwise not quite as well-fitting as they might be, and I take to them
unabashedly with needle and thread. I don't think I have ever had something professionally
altered. If it is a really hopeless case, I would sooner give it away than pay so much to
have it made perfect.
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by Bob Oushka
a: "How do you like my Top-Hat?"
b: "I have searched the world for a woman with a Top-Hat as lovely as yours. Marry
me!"
a: "I cannot marry you, on account of the love that I have for my Top-Hat."
- From a cartoon in the art zine, Bark
In many cultures, it is disrespectful or sacrilegious to wander around in public with a
bare head. From the Iranian chador to the Slavic babushka to the Jewish yarmulke to the
American baseball cap, head covering is not only common, but required apparel in certain
contexts. For example, when more than a week has elapsed since one last washed her hair,
one should certainly consider donning a kerchief to protect others from the slime. [Some
people have enough hair to necessitate a ten-gallon hat on these days - eds.] Indeed, even
the new-fangled butterfly clips that all the Kids are talking about these days are
insufficient penance for a bad-hair-day, as special correspondent Xip learned on a recent
trip to New York.
"It turns out that if you apply butterfly clips in front of a French person, she
will almost certainly give you her hat," asserts Xip, who received an authentic
French beret from a fellow subway passenger last April. Whats more, the donor did
not ever reclaim her property before stepping off the train. Perhaps she felt some
humanitarian urge to protect other patrons of public transport from the horrors of
Xips butterfly clips. Fortunately, Xip looks good in the beret, and also finds that
it keeps her warm on cold summer days in Berkeley.
Months later, Xip tracked down the owner of the hat and, in a rare demonstration of
generosity, tried to give it back to her in time for autumn. However, the owner seemed so
frightened of Xips hair that she refused the offer. Instead, Xip had to resort to
mailing the kind donor a replacement hat - a fleecy jester hat, typical of California
snowboard fashion. Upon opening the package, the Frenchwoman immediately wrote to Xip that
she did not think she could wear the hat outside her Paris apartment, lest she shock her
neighborhoods other inhabitants.
This is not to say that Paris is a city unaccepting of non-traditional headgear. Uncle
Brian experienced no negative comments from Parisians passers-by (other than one
exclamation of "Quel character!" from an old woman who thought Brian was
harassing her grandchild), even as he walked the streets in his special visor.
Indeed, the visor is a particularly useful kind of hat, although it does not fulfill
the typical religious requirement of covering the hair itself. Dave Hoffman may be the
local pioneer of the trend, as he used to wear a pink plastic visor around the political
science department before leaving town for Central Asian adventures. Uncle Brian later
made a visor by cutting the top off a slightly damaged baseball cap that he found at the
laundromat. That particular specimen eventually lost its visor-integrity and had to be
replaced. Of all Brians visors, the spiffy black and red one from the Union Bank of
Switzerland (Luan Troxels former employer) was certainly the most stylish. However,
it caused violence to the hair, which was the second major item to avoid on the European
trip list. [The first item to avoid was dehydration - eds.] Consequently, it was replaced
with a cheap Berkeley-pride cap, which Xip sewed so that it would not disintegrate like
the Ur-visor.
The principle behind the visor is that it should shield the delicate skin of ones
face from the suns harming rays, while still allowing maximum freedom to ones
hair, which might in this manner grow tall and curly out of the top, enhancing ones
natural beauty. Visors tend to work better on people with hair of "medium"
length (in Oakland Barber Mr. Lees calculation). People with shorter hair get no
advantage from leaving it uncovered, and long-haired people tend to look a bit like Axel
Rose when they wear visors.
The visor is also useless to people in cold climates. According to one hiker of the
Appalachian Trail, "you lose 300% of your body heat through the top of your
head." Thats a lot of heat! To avoid this humanitarian disaster, Eskimos and
Siberians wear heavy fur shapkas over the top of their heads. One never sees people in
visors within, or indeed anywhere close to, the Arctic Circle.
However it manifests itself, though, the hat (loosely defined) is an integral part of
many wardrobes. Some people wear hats for religious or cultural reasons, others wear them
to stay warm, and still others just need an article of clothing on which to display the
name of their favorite college or team. People who dont have hats might catch
pneumonia or get a terrible sunburn on their nose. It is for all these reasons that the IC
is happy to bring you this public-service announcement.